Photoblog #004

A little later than planned due to family commitments but here are my most recent sketchbook images for this past week.

I’ve stolen the phrase ‘sketchbook images’ from the podcaster Neale James who presents the Photography Daily podcast where he simply goes out on walks with his dog, Sir Barks-a-lot, and his camera and reads out listeners letters, interviews other photographers and takes snapshots of his walk. He calls these ‘sketchbook images’, meaning they are simply just sketches of his walks like a painter would sketch a scene. They are not intended to be portfolio or award winning images, but more of a diary of images from the past week.

If you are into photography and like listening to podcasts, i would highly recommend this one as its very easy to listen to and great to put on while out for a walk yourself. You can even send in your own stories or photos to get featured on the show.

Here’s the apple podcast link if you’re interested…

https://podcasts.apple.com/gb/podcast/photography-daily/id1405797630

Photoblog #003

A month has passed since I last did a photoblog but a lot of things have happened, in my photography life as well as my personal life. I won’t bore you with the details but it’s why this blog is a little late coming.

Anyway, here’s a few sketchbook images from my travels with my Fujifilm X100f this last month.

Hope you like them, let me know in the comments.

Photoblog #002

Another week of dog walks, another week of random shots from around the village with my Fujifilm x100f. I’ve been experimenting with a few film simulations to get different looks to the images. Please leave a comment below if you’d like.

Photo Blog #001

Welcome to a new Blog series. A photoblog you might call it.

Recently I’ve been taking my little Fuji camera out with me on my dog walks so I can document the world around me without having to take my full frame gear with me. Its easy enough to fit into my pocket and can make some fantastic images, so why not!

It’s also great to keep my photographic juices flowing with minimal of fuss. Because its a fixed focal length camera of 23mm (35mm full frame equivalent) It really makes you think about the compositions.

So here’s my first set of images for you to view, please let me know what you think by leaving a comment for me. I will be trying to take the camera out with me as much as possible so I will try and regularly update this photoblog.

To photoshop or not to photoshop.

There has always been a lot of talk about using photoshop and digital manipulation of photographs. A lot of people think that if you do any sort of editing on your images than you are in some way cheating the viewer into seeing something that isn’t true to life.

In one way or another all photographs are edited in some way. Even with film photography, you still have to go through the dark room processes of exposing the negative onto photosensitive paper which, depending on how long you expose it for, you can get very different results, hence editing the final image.

With digital photography every time you click your shutter button, the processor in the camera has to edit the data from the sensor to create the image.

Cameras also don’t see things the way the human eye sees things, in terms of dynamic range (the tonal range of light you can see from pitch black to pure white) a human can see anywhere from 20 to around 24 stops of light whereas even the best camera on the market nowadays can only capture around 15 maybe 16 stops of light. With a cheaper point and shoot camera you may only get 8-10 stops of light. This means that when you take an image on your camera, it will probably not look like how you saw it with your naked eye. So if you wanted to make the photo look like as you saw it at the time you would have to manipulate the image in some way.

Many different photographers like to edit to varying different degrees, some like to use as little processing as possible, whereas some like to push it as far as they can. Neither way is wrong at all, seeing as photography is an art form (this is a subject for another blogpost!) and is subjective, there is no right way and wrong way, just different ways. If I were to edit an image one way, another photographer might edit it in a completely different way in order to get a different feel to the final image.

I generally like to edit as little as possible as I’d rather be out taking the photographs rather than sat in front of a computer editing the images. There are always photos that take a little more processing than others as well, normally my astro images will take a lot longer with more editing steps to make them look how I want them to look. Usually with astro photography (depending on what look you are going for) you would take more than one image and blend them together to make a final image, be it one photo for the stars and one for the foreground, or possibly many photos of just the stars in order to retrieve the details and reduce noise in the final image.

You can even go as far as composite images by which I mean taking parts from different photographs and putting them into a single image. This is not something I do a lot of and can be frowned upon by some, especially when it comes to photographic competitions. But again I believe that if the photographer wants to do that, then that is their prerogative. The only thing I don’t like is when the the photographer tries to pass the image off as something its not, for example telling people that the image was a single shot image whereas it was actually a composite image.

Some people may say my astro images are composites as they are made up of more than a single image but I think I would call these blended images as they are different exposures of the same scene at the same time. I only do this is only because getting the image in one single exposure just would not work.

I believe that as long as you are transparent with people asking about your editing, however much you do, then there is no problem.

End of the day, it’s up to the photographer.

Foggy woodland walk

A couple of weeks ago before all the storms starting hitting the country we had some beautifully still mornings, ideal for a bit of fog to develop, and thankfully I woke up on one of my days off with fog blanketing the village.

I went on my merry way with my camera and my trusted 50mm prime lens and because of the fog and the lack of colour everywhere decided I was only going to shoot in black and white.

After a little stroll round the village, through a few fields and through the woods I came out of it with these images which I really like.

If you sometimes struggle finding new compositions in your local area, a handy tip is to set yourself a task like I did with a single focal length and shooting only in black and white.

Let me know what you think in the comments.

My favourite images from 2021

Here are a few of my favourite images that I took last year, there’s a fairly wide range from all seasons. Hope you like them, let me know in the comments which is your favourite individual image.

Photo manipulation

There has always been a lot of talk about using photoshop and digital manipulation of photographs. A lot of people think that if you do any sort of editing on your images than you are in some way cheating the viewer into seeing something that isn’t true to life. I have my own opinion on this, which is why I’m writing this blogpost.

In one way or another all photographs are edited in some way. Even with film photography, you still have to go through the dark room processes of exposing the negative onto photosensitive paper which, depending on how long you expose it for, you can get very different results, hence editing the final image.

With digital photography every time you click your shutter button, the processor in the camera has to edit the data to create the image.

Cameras also don’t see things the way the human eye sees things, in terms of dynamic range (the range of tones of light you can see) a human can see anywhere from 20 to around 24 stops of light whereas even the best camera on the market nowadays can only capture around 15 stops of light. With a cheaper point and shoot camera you may only get 8-10 stops of light. This means that when you take an image on your camera, it will probably not look like how you saw it with your naked eye. So if you wanted to make the photo look like as you saw it at the time you would have to manipulate the image in some way.

Many different photographers like to edit to varying different degrees, some like to use as little processing as possible, whereas some like to push it as far as they can. Neither way is wrong at all, seeing as photography is an art form and is subjective, there is no right way and wrong way, just different ways. If I were to edit an image one way, another photographer might edit it in a completely different way in order to get a different feel to the final image.

I generally like to edit as little as possible as I’d rather be out taking the photographs rather than sat in front of a computer editing the images. I also like to process the image depending on how I was feeling at the time of taking the photo, whether it be dark and moody or bright and happy. There are always photos that take a little more processing than others as well, normally my astro images will take a lot longer with more editing steps to make them look how I want them to look. Usually with astro photography (depending on what look you are going for) you would take more than one image and blend them together to make a final image, be it one photo for the stars and one for the foreground, or possibly many photos of just the stars in order to retrieve the details and reduce noise in the final image.

ICM

If you’re not sure what ICM is, it stands for Intentional Camera Movement and is a great way of producing some abstract painterly images. I quite often use this technique when the light isn’t quite what I wanted or I can’t find a specific subject to photograph.

The technique goes against everything that you learn about with landscape photography, like trying to keep the camera as stable and still as possible to get the sharpest photograph or using a high enough shutter speed so you don’t get any motion blur in the image.

By moving the camera while you are in the middle of an exposure, the results can be quite different, even when shooting the same subject.

It’s not a technique that everyone loves, but I’ve got a real fascination to it because it can produce some really beautiful images that makes the viewer think.

Here are a few examples of ones that I have done recently. Please do view them full screen so you get the full effect.